Select the material that you would like to use for your bag. Velvet, felt, or leather are good choices. You can also use cotton or any other fabric. Because of it's rich texture, velvet is a good choice for charm bags designed to bring money and prosperity to you.
Select the color of fabric for your charm bag. The color you choose depends on the purpose for your bag.
Pink is used for love.
Red is used for passion or sex.
Black is used for banishing and revenge.
Blue is used for spirituality and healing.
Purple is used for protection and also for psychic power.
Gold is used for wealth and prosperity.
Green is used for financial matters.
White is used for purity and cleansing. It can also be used for spirituality.
Other color associations that you may want to consider are:
Silver for the Goddess
Gold for the God
White for the angels or your spirit guide.
Green for fairies.
Cut your material into two square sections. Place the two pieces together with the insides facing each other.
Slowly sew three of the sides of the pouch together. While you sew your charm bag, focus your thoughts on the purpose for the charm. Visualize your goal coming true for you and know that as you sew your energy is being put into your charm bag and being sent out into the Universe and to the Goddess.
Next you can decorate your charm bag in any way that you wish. You may wish to draw meaningful symbols on the bag. You can can write your purpose on the bag. Sewing beads, sequins, ribbons, or other decorations on the bag is a good idea. The more effort and time you put into decorating and working with your charm bag, the more of your personal energy you infuse into it. While you are doing this, imagine that the charm bag is working its magic for you.
Now add the ingredients that you want to have in your charm bag. You can use anything that you feel is symbolic of the goal you wish to reach. Dried herbs, crystals, photos, written words, flower petals, trinkets, a small magnet (for magnetism), you can even spray the inside or outside of the bag with a perfume or dab it with essential oil.
Sew the top of your charm bag closed. If you wish, you can sew a ribbon onto the bag to hang it with. You may also carry the charm bag in your pocketbook, bag, or in your pocket.
Showing posts with label Crafts. Show all posts
Showing posts with label Crafts. Show all posts
Wednesday, March 2, 2011
Wednesday, February 23, 2011
Yule Spell Ornament
.As Yule approaches, the opportunities for spellwork are seemingly endless. If you have a holiday tree this year, why not use ornaments as a way of directing your magical energies? Make a spell ornament to bring prosperity, love, health, or creativity into your life.
You'll need the following:
•Clear plastic fillable ornament
•Filler material associated with your purpose: herbs, small stones, colored paper or glitter, etc.
•Colored ribbon
Fill the plastic halves of the ornament with items that are associated with your purpose. Try a couple of the following, or come up with your own combinations:
•For a money spell, add shredded bits of play money, Bay leaf, basil, chamomile, clover, cinquefoil, tonka bean, Buckeye, pennyroyal; stones such as turquoise and amethyst; bits of green, silver or gold glitter.
•For love magic, use Allspice, apple blossom, bleeding heart, catnip, lavender, periwinkle, peppermint, tulip, violet, daffodil; crystals such as rose quartz or emerald, coral; small heart-shaped cutouts, bits of pink or red glitter.
•For workings related to creativity and inspiration, add feathers, sage, tobacco leaf, hazelwood or birch, symbols of artistry such as paintbrush tips, crayons, or colored thread. Add diamonds, quartz crystals, also consider colors like yellow and gold.
•If you're doing healing magic, use Apple blossom, lavender, barley, comfrey, eucalyptus, fennel, chamomile, allspice, olive, rosemary, rue, sandalwood, wintergreen, peppermint.
As you're filling your ornament, focus on your intent. Think about what your purpose is in creating such a working. For some people, it helps to chant a small incantation while they work - if you're one of those folks, you might want to try something like this:
Magic shall come as I order today,
bringing prosperity blessings my way.
Magic to hang on a green Yule tree;
as I will, so it shall be.
Once you've filled your ornament, place the two halves together. Tie a colored ribbon around the center to keep the halves from separating (you may need to add a dab of craft glue for stability) and then hang your ornament in a place where you can see it during the Yule season.
Gift-giving tip: Make a whole box of these with different purposes, and share them with your friends at the holidays!
You'll need the following:
•Clear plastic fillable ornament
•Filler material associated with your purpose: herbs, small stones, colored paper or glitter, etc.
•Colored ribbon
Fill the plastic halves of the ornament with items that are associated with your purpose. Try a couple of the following, or come up with your own combinations:
•For a money spell, add shredded bits of play money, Bay leaf, basil, chamomile, clover, cinquefoil, tonka bean, Buckeye, pennyroyal; stones such as turquoise and amethyst; bits of green, silver or gold glitter.
•For love magic, use Allspice, apple blossom, bleeding heart, catnip, lavender, periwinkle, peppermint, tulip, violet, daffodil; crystals such as rose quartz or emerald, coral; small heart-shaped cutouts, bits of pink or red glitter.
•For workings related to creativity and inspiration, add feathers, sage, tobacco leaf, hazelwood or birch, symbols of artistry such as paintbrush tips, crayons, or colored thread. Add diamonds, quartz crystals, also consider colors like yellow and gold.
•If you're doing healing magic, use Apple blossom, lavender, barley, comfrey, eucalyptus, fennel, chamomile, allspice, olive, rosemary, rue, sandalwood, wintergreen, peppermint.
As you're filling your ornament, focus on your intent. Think about what your purpose is in creating such a working. For some people, it helps to chant a small incantation while they work - if you're one of those folks, you might want to try something like this:
Magic shall come as I order today,
bringing prosperity blessings my way.
Magic to hang on a green Yule tree;
as I will, so it shall be.
Once you've filled your ornament, place the two halves together. Tie a colored ribbon around the center to keep the halves from separating (you may need to add a dab of craft glue for stability) and then hang your ornament in a place where you can see it during the Yule season.
Gift-giving tip: Make a whole box of these with different purposes, and share them with your friends at the holidays!
Money Bottle Spell
What You'll Need:
•5 new coins in each denomination (pennies, dimes etc.)
•5 each of the following spices/seeds:
•Dried corn
•Sesame seeds
•Cinnamon sticks
•Cloves
•Allspice
•Pecans or peanuts
Instructions:
Place coins and spices in a glass bottle (an empty spice bottle works well). Shake for several minutes to combine the ingredients. While shaking, repeat the following:
Silver and spices,
Copper and grain,
I need to increase my money gain.
Keep the bottle near where you usually store your purse or wallet. For best results, do this spell on a Thursday during the waxing moon phase.
Tip about the coins: If you're Canadian, you can omit extra large coins like loonies or twoonies if they won't fit in your bottle. Pennies, nickels, dimes and quarters are sufficient. Same goes for other countries with particularly large coins.
•5 new coins in each denomination (pennies, dimes etc.)
•5 each of the following spices/seeds:
•Dried corn
•Sesame seeds
•Cinnamon sticks
•Cloves
•Allspice
•Pecans or peanuts
Instructions:
Place coins and spices in a glass bottle (an empty spice bottle works well). Shake for several minutes to combine the ingredients. While shaking, repeat the following:
Silver and spices,
Copper and grain,
I need to increase my money gain.
Keep the bottle near where you usually store your purse or wallet. For best results, do this spell on a Thursday during the waxing moon phase.
Tip about the coins: If you're Canadian, you can omit extra large coins like loonies or twoonies if they won't fit in your bottle. Pennies, nickels, dimes and quarters are sufficient. Same goes for other countries with particularly large coins.
Love Pouch Spell
What You'll Need:
•Small pink pouch, any material
•1 pink candle
•4 white candles
•Cauldron or fire-proof pot
•Catnip and jasmine herbs
•Small piece of paper, and pen
Instructions:
Cast your circle in your usual manner. Place the 4 white candles in a circle around your altar, at the 4 directional points, with the cauldron and pink candle in the center. Light each of the white candles, and then the pink one. On the slip of paper, write down some of the important qualities you are looking for in a mate (no names!). Place the paper with the herbs in the cauldron, and light them. As they burn, focus on your intent and repeat the chant below three times.
By the power of flame and herb, bring me love
By the power of flame and words, bring me love
By the power of flame and candle, bring me love
Let the candles burn out, and put the herb/paper ashes in the pouch. Carry it with you.
As with any love magick, spells like this are best done on a Friday.
Another tip: Don't sit at home and wait for Mr. or Ms. Right to arrive on your doorstep. Love spells can work, but you need to do some of the work yourself. Get out, be social and meet people. The love magick can do the rest.
•Small pink pouch, any material
•1 pink candle
•4 white candles
•Cauldron or fire-proof pot
•Catnip and jasmine herbs
•Small piece of paper, and pen
Instructions:
Cast your circle in your usual manner. Place the 4 white candles in a circle around your altar, at the 4 directional points, with the cauldron and pink candle in the center. Light each of the white candles, and then the pink one. On the slip of paper, write down some of the important qualities you are looking for in a mate (no names!). Place the paper with the herbs in the cauldron, and light them. As they burn, focus on your intent and repeat the chant below three times.
By the power of flame and herb, bring me love
By the power of flame and words, bring me love
By the power of flame and candle, bring me love
Let the candles burn out, and put the herb/paper ashes in the pouch. Carry it with you.
As with any love magick, spells like this are best done on a Friday.
Another tip: Don't sit at home and wait for Mr. or Ms. Right to arrive on your doorstep. Love spells can work, but you need to do some of the work yourself. Get out, be social and meet people. The love magick can do the rest.
DECORATIONS FOR YULE:
strings of dried rosebuds and cinnamon sticks (or popcorn and cranberries) for garlands, to bags of fragrant spices which are hung from boughs. Quartz crystals can be wrapped with shiny wire and suspended from sturdy branches to resemble icicles. Apples, and clove studded oranges and lemons hanging from boughs are strikingly beautiful, natural decorations, and were customary in ancient times.
Adorn the home with sacred herbs and colors. Place holly, ivy, evergreen boughs, and pine cones around your home, especially in areas where socializing takes place. Hang a sprig of mistletoe above a major threshold and leave it there until next Yule as a charm for good luck throughout the year. Have family/household members join together to make or purchase an evergreen wreath. Include holiday herbs in it and then place it on your front door to symbolize the continuity of life and the wheel of the year. If you choose to have a living or a harvested evergreen tree as part of your holiday decorations decorate it with Pagan symbols
Adorn the home with sacred herbs and colors. Place holly, ivy, evergreen boughs, and pine cones around your home, especially in areas where socializing takes place. Hang a sprig of mistletoe above a major threshold and leave it there until next Yule as a charm for good luck throughout the year. Have family/household members join together to make or purchase an evergreen wreath. Include holiday herbs in it and then place it on your front door to symbolize the continuity of life and the wheel of the year. If you choose to have a living or a harvested evergreen tree as part of your holiday decorations decorate it with Pagan symbols
Thursday, February 3, 2011
MAKING A WAND
The magical Wand is probably one of the most consistently used of all magical tools in
virtually all traditions and ways around the world, and it's use is not limited to Wicca.
Druids use Wands, Witches use Wands, Magicians use Wands, and Sorcerers,
Shamans and cunning folk all use Wands. Why might this be so?
Above all else this is because pointing or directing energy is one of the most
commonly used ritual acts in all ways and paths. As simple as that- if you want to point
or direct energy or intent at anything in a ritual way, it generally feels symbolically and
aesthetically much more powerful to do so with something than it does if you use your finger.
This being so it helps if you have a special device to use in this way- A Wand.
Designs of Wands can vary from the ceremonially and symbolically extravagant to the
sublimely simple. A stick picked up on a country walk will suit some, a creative product
of three months work will suit others. Preparing wood for use as a Wand if you are going
to decorate a Wand in any way.
Bringing a piece of wood from one environment- laying on the ground outdoors or still
attached to its parent tree, to inside your home, will cause changes in it.
The most major of which is that it will dry out. Even a dry piece of stick picked up in
midsummer from your local woods is likely to have more moisture in it than it will have
after a few days of being in your home, so unless you work with your stick very soon
after gathering it, it will begin to split or even warp.
The first hint for this is then to stabilize the wood as quickly as possible.
The simplest way to do this is to give the stick a good coat of varnish that has been thinned
down with Turpentine so as to replace the moisture and stick all the fibers of the wood together.
If you use a matt finish varnish you will avoid a high gloss appearance on the wood, or else if
you use a gloss varnish you can sand that down so that it doesn't show with fine grade sandpaper.
An alternative is to use beeswax dissolved into a thin cream with turpentine.
You can slather this on quite thickly so that it's absorbed by the wood, and remove the
surplus with a soft cloth. If you're going to decorate or carve your wand you need to do this before
varnishing or waxing, as wax in particular will prevent paint from sticking, and make it difficult to carve.
If you cut a Wand from live wood but don't plan to work with it for a while, then keep it somewhere
cool and more moist than indoors. Such as in a shed or garage. It's best to leave the bark on wood
that is going to be stored a while to prevent it splitting as it dries. If you're going to work it straight
away then remove the bark straight away also as this is much easier done when the wood is freshly cut.
Woods to use: Most traditions and ways have symbolic associations of trees to draw from for
Wand source woods, and much ritual magic and Witchery will offer more ideas and inspirations.
When drawing from these sources bear in mind the practicalities of why ancestral peoples or cunning folk
chose to use particular woods- what qualities were they looking for? What associations might they
have been drawing from? If you look at things in these ways you will clearly see that as well as mythic
and symbolic qualities, most traditions also wove in the practical qualities of specific woods- Hazel,
Ash and the wood of fruiting trees have long been used as Wand woods in Britain and Ireland.
Hazel produces Wand sized branches all in one year that have produced neither
flowers nor fruit in that year and are therefore 'virgin'- unfertilized and still having
those qualities of potential yet unexpressed. Hazel is also a good
wood for carving, and these one year branches grow dead straight.
Ash has similar qualities and is excellent to carve. Both Hazel and Ash are also very white woods.
Apple trees also make these long straight branches that are virgin in the same way as Hazel, and
Apples have powerful mythic and symbolic associations. The 'traditional' length of a Wand is that
length from your elbow to the tip of your middle finger. From such a measurement that involves the
measurer fully in the process we can see the magical principle of sacred measure-
something that grows out of a relationship between the measurer and that which is measured and
apportioned. A far more powerful principle than using a rule or tap measure to impose an arbitrary
measure upon a magical tool of this kind.
virtually all traditions and ways around the world, and it's use is not limited to Wicca.
Druids use Wands, Witches use Wands, Magicians use Wands, and Sorcerers,
Shamans and cunning folk all use Wands. Why might this be so?
Above all else this is because pointing or directing energy is one of the most
commonly used ritual acts in all ways and paths. As simple as that- if you want to point
or direct energy or intent at anything in a ritual way, it generally feels symbolically and
aesthetically much more powerful to do so with something than it does if you use your finger.
This being so it helps if you have a special device to use in this way- A Wand.
Designs of Wands can vary from the ceremonially and symbolically extravagant to the
sublimely simple. A stick picked up on a country walk will suit some, a creative product
of three months work will suit others. Preparing wood for use as a Wand if you are going
to decorate a Wand in any way.
Bringing a piece of wood from one environment- laying on the ground outdoors or still
attached to its parent tree, to inside your home, will cause changes in it.
The most major of which is that it will dry out. Even a dry piece of stick picked up in
midsummer from your local woods is likely to have more moisture in it than it will have
after a few days of being in your home, so unless you work with your stick very soon
after gathering it, it will begin to split or even warp.
The first hint for this is then to stabilize the wood as quickly as possible.
The simplest way to do this is to give the stick a good coat of varnish that has been thinned
down with Turpentine so as to replace the moisture and stick all the fibers of the wood together.
If you use a matt finish varnish you will avoid a high gloss appearance on the wood, or else if
you use a gloss varnish you can sand that down so that it doesn't show with fine grade sandpaper.
An alternative is to use beeswax dissolved into a thin cream with turpentine.
You can slather this on quite thickly so that it's absorbed by the wood, and remove the
surplus with a soft cloth. If you're going to decorate or carve your wand you need to do this before
varnishing or waxing, as wax in particular will prevent paint from sticking, and make it difficult to carve.
If you cut a Wand from live wood but don't plan to work with it for a while, then keep it somewhere
cool and more moist than indoors. Such as in a shed or garage. It's best to leave the bark on wood
that is going to be stored a while to prevent it splitting as it dries. If you're going to work it straight
away then remove the bark straight away also as this is much easier done when the wood is freshly cut.
Woods to use: Most traditions and ways have symbolic associations of trees to draw from for
Wand source woods, and much ritual magic and Witchery will offer more ideas and inspirations.
When drawing from these sources bear in mind the practicalities of why ancestral peoples or cunning folk
chose to use particular woods- what qualities were they looking for? What associations might they
have been drawing from? If you look at things in these ways you will clearly see that as well as mythic
and symbolic qualities, most traditions also wove in the practical qualities of specific woods- Hazel,
Ash and the wood of fruiting trees have long been used as Wand woods in Britain and Ireland.
Hazel produces Wand sized branches all in one year that have produced neither
flowers nor fruit in that year and are therefore 'virgin'- unfertilized and still having
those qualities of potential yet unexpressed. Hazel is also a good
wood for carving, and these one year branches grow dead straight.
Ash has similar qualities and is excellent to carve. Both Hazel and Ash are also very white woods.
Apple trees also make these long straight branches that are virgin in the same way as Hazel, and
Apples have powerful mythic and symbolic associations. The 'traditional' length of a Wand is that
length from your elbow to the tip of your middle finger. From such a measurement that involves the
measurer fully in the process we can see the magical principle of sacred measure-
something that grows out of a relationship between the measurer and that which is measured and
apportioned. A far more powerful principle than using a rule or tap measure to impose an arbitrary
measure upon a magical tool of this kind.
HOW TO CHARGE (MAGNETIZE) WATER
Stand or sit comfortably with a container of the water you wish to magnetize in front of you.
Invoke your personal and god symbols.
Perform exercise to activate positive energy.
Concentrate for a while on the type of energy you wish to infuse into the water.
Place the palm of your dominant hand over the water.
Hold your weaker hand, palm up, at shoulder or waist level, whichever is most comfortable.
Your arm may be bent at the elbow; your had should be relaxed and open.
Your weaker hand draws the desired energy from the universe.
This energy is then channeled to your dominant hand.
The energy flows out your dominant palm and into the water.
Continue channeling the energy into the water until you feel it is sufficiently charged.
(Optional) Before you begin the charging process you may, if you wish, place a crystal or herb
into the water. This adds nature's magnetism to your own. (It's best not to drink water charged
in this manner unless you are absolutely sure the crystal is clean and the herb nonpoisonous.)
Seal your aura.
NOTE: Don't be concerned if you can't feel the energy flowing from one hand to the other and
into the water. Energy follows thought. If you mentally intend energy to flow in a particular
direction, it will do so. Since water doesn't hold a charge for very long, use your magnetized
water immediately. (To prolong the "life" of your charged water, ask spiritual or elemental
energies to add their magnetism to the water.)
Invoke your personal and god symbols.
Perform exercise to activate positive energy.
Concentrate for a while on the type of energy you wish to infuse into the water.
Place the palm of your dominant hand over the water.
Hold your weaker hand, palm up, at shoulder or waist level, whichever is most comfortable.
Your arm may be bent at the elbow; your had should be relaxed and open.
Your weaker hand draws the desired energy from the universe.
This energy is then channeled to your dominant hand.
The energy flows out your dominant palm and into the water.
Continue channeling the energy into the water until you feel it is sufficiently charged.
(Optional) Before you begin the charging process you may, if you wish, place a crystal or herb
into the water. This adds nature's magnetism to your own. (It's best not to drink water charged
in this manner unless you are absolutely sure the crystal is clean and the herb nonpoisonous.)
Seal your aura.
NOTE: Don't be concerned if you can't feel the energy flowing from one hand to the other and
into the water. Energy follows thought. If you mentally intend energy to flow in a particular
direction, it will do so. Since water doesn't hold a charge for very long, use your magnetized
water immediately. (To prolong the "life" of your charged water, ask spiritual or elemental
energies to add their magnetism to the water.)
HOW TO MAKE AND USE CHARMS
Trace each symbol in red ink (either Doves Blood or Dragons Blood depending upon the situation),
marker while concentrating on the symbol's purpose.
If you print in color, trace the symbols with your blood.
Pray or do a personal ritual to consecrate each individual charm and charge it with its purpose.
Call upon the power of God/dess, or other entities that may be useful.
The consecration ritual may include burning a copy of the charm.
However, keep another copy to carry with you in a mojo bag of the appropriate color.
You may also want to add a lodestone to the bag for extra power.
If you do, remember to "feed" your lodestone at every full moon
Runes make excellent focus points for meditation.
The meditation will then set you on your path toward your desired goal.
Carry the piece of paper with you in a pocket or in your wallet.
Lay it under your pillow or on your night table when you sleep.
The charms will last as long as the piece of paper.
If you want to make more sturdy charms, carve and paint the symbols onto pieces of wood.
(Do not laminate the piece of paper. You could, however, make several copies and
consecrate all at the same time.)
marker while concentrating on the symbol's purpose.
If you print in color, trace the symbols with your blood.
Pray or do a personal ritual to consecrate each individual charm and charge it with its purpose.
Call upon the power of God/dess, or other entities that may be useful.
The consecration ritual may include burning a copy of the charm.
However, keep another copy to carry with you in a mojo bag of the appropriate color.
You may also want to add a lodestone to the bag for extra power.
If you do, remember to "feed" your lodestone at every full moon
Runes make excellent focus points for meditation.
The meditation will then set you on your path toward your desired goal.
Carry the piece of paper with you in a pocket or in your wallet.
Lay it under your pillow or on your night table when you sleep.
The charms will last as long as the piece of paper.
If you want to make more sturdy charms, carve and paint the symbols onto pieces of wood.
(Do not laminate the piece of paper. You could, however, make several copies and
consecrate all at the same time.)
Sabbat Candles
Use herb, oil, and color correspondences for each Sabbat to create your own unique seasonal candles. Check correspondences for each of the holidays at my Wheel of the Year page. Have fun! Here are only a few ideas:
Samhain: Black or orange candles with dried rosemary and/or dried mugwort and patchouli, musk, or sandalwood oil. Carnelian, bloodstone, or jasper crystals can be dropped into the candle as it cools. Skull candles (symbolizing wisdom) and pumpkin-shaped candles are entirely appropriate.
Yule: Red or green candles (also gold and silver) with ground cinnamon; and bayberry, cedar, spruce, pine, or cinnamon oil. Decorate the candles with poinsettia, holly, red roses or white carnations. Drop quartz, garnets, blue topaz, or pearls into the cooling wax.
Imbolc: Red, black, and white candles with dried dragon's blood or red and white rose petals; and carnation, vanilla, or vanilla musk oil. Garnets, clear quartz, or pearls may be added.
Ostara: Pastel green, yellow, pink, and blue candles (egg-shaped is appropriate) with purple clover, lilac, lavender, vervain or lemon balm herbs; and heather, lilac, lavender or new mown hay oil. Decorate with daisies, tulips or daffodils. Clear and rose quartz, lapis lazuli, agates and amethysts can be dropped into the wax as it sets.
Beltane: Purple, gold or green candles with honeysuckle, roses, lilac or vanilla; and rose, lilac, or vanilla oil. Decorate with daisies, roses, lilacs, fern, or violets. Drop in peridot, citrine, amethysts or rose quartz.
Litha: Orange, gold, yellow, or green candles with rose petals; and violets, rose, orange, lime, or thyme oil. Or include nine sacred herbs of the season: mistletoe, vervain, St. John's Wort, heartsease, lavender, mugwort, sage, rosemary, and honeysuckle. Decorate with roses, marigolds or sunflowers. Add citrine, peridot, carnelian or calcite crystals or drop in a hazelnut.
Lughnasadh: Brown, yellow, or orange candles with copal, tangerine, musk, or patchouli oil. Decorate with marigolds, corn, wheat, grapes, sunflowers, ivy, barley, or any wild flowers and plants. Use tiger's eye, citrine, aventurine, golden topaz, obsidian, moss agate, rhodochrosite, or clear quartz.
Mabon: Orange, brown, tan, or yellow candles with cinnamon, rosemary, marigold, sage, or clove; and cinnamon, tangerine, or orange oils. Decorate with fallen leaves, rue, yarrow, or other fall plants. Use citrine, rose quartz or moonstone crystals.
Samhain: Black or orange candles with dried rosemary and/or dried mugwort and patchouli, musk, or sandalwood oil. Carnelian, bloodstone, or jasper crystals can be dropped into the candle as it cools. Skull candles (symbolizing wisdom) and pumpkin-shaped candles are entirely appropriate.
Yule: Red or green candles (also gold and silver) with ground cinnamon; and bayberry, cedar, spruce, pine, or cinnamon oil. Decorate the candles with poinsettia, holly, red roses or white carnations. Drop quartz, garnets, blue topaz, or pearls into the cooling wax.
Imbolc: Red, black, and white candles with dried dragon's blood or red and white rose petals; and carnation, vanilla, or vanilla musk oil. Garnets, clear quartz, or pearls may be added.
Ostara: Pastel green, yellow, pink, and blue candles (egg-shaped is appropriate) with purple clover, lilac, lavender, vervain or lemon balm herbs; and heather, lilac, lavender or new mown hay oil. Decorate with daisies, tulips or daffodils. Clear and rose quartz, lapis lazuli, agates and amethysts can be dropped into the wax as it sets.
Beltane: Purple, gold or green candles with honeysuckle, roses, lilac or vanilla; and rose, lilac, or vanilla oil. Decorate with daisies, roses, lilacs, fern, or violets. Drop in peridot, citrine, amethysts or rose quartz.
Litha: Orange, gold, yellow, or green candles with rose petals; and violets, rose, orange, lime, or thyme oil. Or include nine sacred herbs of the season: mistletoe, vervain, St. John's Wort, heartsease, lavender, mugwort, sage, rosemary, and honeysuckle. Decorate with roses, marigolds or sunflowers. Add citrine, peridot, carnelian or calcite crystals or drop in a hazelnut.
Lughnasadh: Brown, yellow, or orange candles with copal, tangerine, musk, or patchouli oil. Decorate with marigolds, corn, wheat, grapes, sunflowers, ivy, barley, or any wild flowers and plants. Use tiger's eye, citrine, aventurine, golden topaz, obsidian, moss agate, rhodochrosite, or clear quartz.
Mabon: Orange, brown, tan, or yellow candles with cinnamon, rosemary, marigold, sage, or clove; and cinnamon, tangerine, or orange oils. Decorate with fallen leaves, rue, yarrow, or other fall plants. Use citrine, rose quartz or moonstone crystals.
Make a Mask of your Shadow Self
At no other time are we faced with our shadow self more than at Samhain. Now we encounter the dark time of endings and completion, dissolution, and diminishing. The days grow shorter and the nights longer. The Earth is plunging into its winter darkness as the veil between the worlds grows thinner.
Halloween's monsters and frights are merely representations of our repressed fears and shadow side. One way of easing the tensions of the season is to shine the light squarely on our shadows. Examine it and in the process lose all fear of it.
Wear your shadow mask on Samhain and then burn it in the bonfire or cauldron fire -- or leave it on your altar as a tribute to your dark side.
Making a representation of your shadow mask can be liberating. You can feel empowered, because you have better control of the shadow when you can see it before you. Once you eternalize the shadow mask, you know what it is made of. You drain it of any power it holds over you because you know longer hide from it. You then gain magical power because you have changed your consciousness and now know when the mask is worn and when it is not. -- Timothy Roderick, Dark Moon Mysteries
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Meditation to Find Your Shadow
Tape record this mediation or have someone read it to you. Find a quiet, comfortable place to perform the meditation, some place where you will not be disturbed. Be sure to answer the questions after the meditation below. (from Dark Moon Mysteries, page 27.)
Close your eyes. Imagine that a soft white glow is forming at your feet. It begins to swirl upward and it forms a protective shell around you. It lifts you up and takes you on a journey to the core of your being.
The misty glow sets you down and dissipates to reveal a marble staircase that spirals downward. The light is very dim along the walls of the staircase and you can't see all the way to the bottom, but you know this is a place into which you must venture.
You begin down the staircase and you notice it spirals in a counterclockwise direction. The light in the staircase comes from candles flickering in small carved niches along the walls. The staircase walls are made of smooth, cold marble that your occasionally touch as you continue to journey downward.
As you work your way down the stairs, notice on the walls that there are occasionally sigils, magickal symbols formed out of metal and embedded into the walls. These are the symbols of your shadow masks. Take note of whichever one is most prominent. This is the symbol for your primary shadow mask.
Reach up and touch the symbol of your primary shadow mask and you'll find that it comes loose from the wall. As you hold it in your hands, you can feel the cold weight of the metal symbol and you can see it from all sides. Hold on to this symbol as you continue down the stairs.
When you reach the bottom, you find before you a great golden door. You try the door, but it is locked. Look at the keyhole and you will find that it is oddly shaped. Slip the metal symbol you hold into the keyhole and you'll find that it unlocks the door. Open the door d enter the chamber.
The room is cold and quite dark, except for a single point of illumination that emanates from the far side of the room. The light comes from a mask that hangs on the far wall. Go over to it and look at it. You notice that it is well within reach, so you take it down and examine it thoroughly. On the inside of the mask is its name. Take note of it.
After you've examined the mask, place it on your face and ask: "How do I resolve this shadow mask?" Listen carefully to the answer. Once you've heard the message, ask one more question: "What does this shadow mask keep me from doing?"
After you've queried the mask, take it off and place it back on the wall. Exit the chamber and lock the door with the medal symbol you retained. As you climb the stairs, you can place the symbol anywhere along the wall and it will set itself within the marble. Continue to head to the top of the stairs,this time moving much more quickly than before.
Once you have reached the top, the white glow enfolds you once again, lifts you up, and brings you back into your body.
When you have arrived back fully, take a moment to contemplate your experience and do the exercises and answer the questions below:
1. Draw the symbol of the primary shadow mask.
2. Draw your shadow mask.
3. What is the name of the shadow mask?
4. What part do you play in keeping this mask alive?
5. What are the effects of this shadow mask on your life?
6. What does this shadow mask keep you from accomplishing?
7. What action must you take in order to resolve you primary shadow mask?
8. What have you to learn from this shadow mask?
Making the Witches Ladder
Items needed:
3 cords of equal length, each 3 feet long (Traditionally, these cords are red, black, and white for the three aspects for the Goddess, however you may substitute any color for its magickal correspondence.)
9 feathers
Ring on which to tie cords to anchor them while braiding (Optional)
Assemble materials. Cast circle or create sacred space. Light a candle in a color corresponding to your magickal working. (Blue for peace, etc.) Burn incense which corresponds to your purpose. Have a small bowl of salt and a small bowl of water at your workspace.
If using a ring, tie one end of each of the three cords side by side to the ring. (You could even use a belt buckle or hanger). Anchor this ring to a doorknob, handle, or chair back. If not using a ring, tie one end of the cords together loosely. Begin to braid, saying this or a similar rhyme:
Yarn of red, black, and white
Work your magick spell this night.
As you braid, work all nine feathers (all one color or a combination of colors, depending on your magickal intent) into the ladder, one at a time, as evenly spaced as possible. As you insert the feathers, begin this or a similar chant:
With this feather and this string,
Protection (or peace, etc) this charm will bring.
When all nine feathers have been tied onto the cord, and the length is braided, tie the ends of the cords together to make a circle (after removing the braid from the ring). Consecrate the ladder by passing it through the incense smoke and candle flame, asperge it with salt and water, saying:
In the names of the Goddesses
And the God
By Air, Earth, Fire, and Water
I consecrate this charm
Of feathers nine and cord of three
As I will, so mote it be!
Hang the witches ladder high in your house where it will not be seen by others, but where you can see it everyday.
Adapted from Pauline Campanelli's Ancient Ways and Wheel of the Year
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Sabbat Correspondences
Certain spells work particularly well on certain sabbats. Here is a list of feather, color, herb, and oil correspondences for Witches Ladders applying sabbat correspondences where possible. For instance, patchouli oil is a traditional Samhain oil which can also be used for protection. Rosemary is a Samhain herb that also increases magickal powers. These Sabbat correspondences are indicated by italics. These are only examples, feel free to create your own correspondences.
Samhain
To banish evil or for protection.
Blue or white feathers for protection.
Two black cords to represent the waning year, one orange or yellow cord to represent the Sun, which will inevitably return. (Traditionally, Witches Ladders for protection are made of red, black, and white.)
A black candle dressed in patchouli oil, aka "graveyard dust", for protection. (The reference to the graveyard is especially appropriate to this sabbat.)
Burn rosemary as a protective incense.
For psychic development and divination.
Black and/or purple feathers (iridescent is best) for mystic insight.
Two black cords to represent the waning year and one purple cord to represent hidden mysteries coming to light.
Purple or black candle dressed in rosemary oil (for magickal powers).
Burn rosemary and mugwort as incense.
3 cords of equal length, each 3 feet long (Traditionally, these cords are red, black, and white for the three aspects for the Goddess, however you may substitute any color for its magickal correspondence.)
9 feathers
Ring on which to tie cords to anchor them while braiding (Optional)
Assemble materials. Cast circle or create sacred space. Light a candle in a color corresponding to your magickal working. (Blue for peace, etc.) Burn incense which corresponds to your purpose. Have a small bowl of salt and a small bowl of water at your workspace.
If using a ring, tie one end of each of the three cords side by side to the ring. (You could even use a belt buckle or hanger). Anchor this ring to a doorknob, handle, or chair back. If not using a ring, tie one end of the cords together loosely. Begin to braid, saying this or a similar rhyme:
Yarn of red, black, and white
Work your magick spell this night.
As you braid, work all nine feathers (all one color or a combination of colors, depending on your magickal intent) into the ladder, one at a time, as evenly spaced as possible. As you insert the feathers, begin this or a similar chant:
With this feather and this string,
Protection (or peace, etc) this charm will bring.
When all nine feathers have been tied onto the cord, and the length is braided, tie the ends of the cords together to make a circle (after removing the braid from the ring). Consecrate the ladder by passing it through the incense smoke and candle flame, asperge it with salt and water, saying:
In the names of the Goddesses
And the God
By Air, Earth, Fire, and Water
I consecrate this charm
Of feathers nine and cord of three
As I will, so mote it be!
Hang the witches ladder high in your house where it will not be seen by others, but where you can see it everyday.
Adapted from Pauline Campanelli's Ancient Ways and Wheel of the Year
TOP
Sabbat Correspondences
Certain spells work particularly well on certain sabbats. Here is a list of feather, color, herb, and oil correspondences for Witches Ladders applying sabbat correspondences where possible. For instance, patchouli oil is a traditional Samhain oil which can also be used for protection. Rosemary is a Samhain herb that also increases magickal powers. These Sabbat correspondences are indicated by italics. These are only examples, feel free to create your own correspondences.
Samhain
To banish evil or for protection.
Blue or white feathers for protection.
Two black cords to represent the waning year, one orange or yellow cord to represent the Sun, which will inevitably return. (Traditionally, Witches Ladders for protection are made of red, black, and white.)
A black candle dressed in patchouli oil, aka "graveyard dust", for protection. (The reference to the graveyard is especially appropriate to this sabbat.)
Burn rosemary as a protective incense.
For psychic development and divination.
Black and/or purple feathers (iridescent is best) for mystic insight.
Two black cords to represent the waning year and one purple cord to represent hidden mysteries coming to light.
Purple or black candle dressed in rosemary oil (for magickal powers).
Burn rosemary and mugwort as incense.
Making the Besom
To make a traditional besom, you'll need:
A four-foot ash limb for the broomstick
Willow (the long strands to which the leaves are attached) for binding the broom end to the shaft
Brush from a birch for the bristles
Scissors
Water and salt for soaking
(Substitutions for the ash broomstick and birch bristles)
Soak the herb you'll be using for the bristles overnight in warm, lightly salted water (to make them pliable). Allow them to dry a bit before using. They should be damp and pliable when binding the broom. Should they get too dry, soak them some more.
Line the straws alongside the limb, about 3 inches from the bottom. THE BOTTOM OF THE BRISTLES SHOULD POINT TOWARD THE TOP OF THE BROOM. Begin binding these around the broomstick with the pre-soaked willow binding. Tie them very securely. Add as many layers of bristle as you want, depending on how full you want the broom end to be.
Bend the top of the bristles over the willow twine. When they are gently pulled over, tie the bristles again just below the fold. Leave the broom overnight to dry.
Decorate the broomstick, if you wish, with your magickal name, magickal symbols or sigils. Consecrate the finished broom as you would any ritual object.
Other materials are often used for the besom, including:
Masculine trees suitable for the broomstick: Hazel, Oak, Rowan
Feminine herbs suitable for bristles: Myrrh, Mugwort, Thyme, Willow branches
Cotton or hemp twine can be substituted for willow strapping.
Consecrate the finished broom as you would any ritual object.
A four-foot ash limb for the broomstick
Willow (the long strands to which the leaves are attached) for binding the broom end to the shaft
Brush from a birch for the bristles
Scissors
Water and salt for soaking
(Substitutions for the ash broomstick and birch bristles)
Soak the herb you'll be using for the bristles overnight in warm, lightly salted water (to make them pliable). Allow them to dry a bit before using. They should be damp and pliable when binding the broom. Should they get too dry, soak them some more.
Line the straws alongside the limb, about 3 inches from the bottom. THE BOTTOM OF THE BRISTLES SHOULD POINT TOWARD THE TOP OF THE BROOM. Begin binding these around the broomstick with the pre-soaked willow binding. Tie them very securely. Add as many layers of bristle as you want, depending on how full you want the broom end to be.
Bend the top of the bristles over the willow twine. When they are gently pulled over, tie the bristles again just below the fold. Leave the broom overnight to dry.
Decorate the broomstick, if you wish, with your magickal name, magickal symbols or sigils. Consecrate the finished broom as you would any ritual object.
Other materials are often used for the besom, including:
Masculine trees suitable for the broomstick: Hazel, Oak, Rowan
Feminine herbs suitable for bristles: Myrrh, Mugwort, Thyme, Willow branches
Cotton or hemp twine can be substituted for willow strapping.
Consecrate the finished broom as you would any ritual object.
How to Make a Charm Bag
Select the material that you would like to use for your bag. Velvet, felt, or leather are good choices. You can also use cotton or any other fabric. Because of it's rich texture, velvet is a good choice for charm bags designed to bring money and prosperity to you.
Select the color of fabric for your charm bag. The color you choose depends on the purpose for your bag.
Pink is used for love.
Red is used for passion or sex.
Black is used for banishing and revenge.
Blue is used for spirituality and healing.
Purple is used for protection and also for psychic power.
Gold is used for wealth and prosperity.
Green is used for financial matters.
White is used for purity and cleansing. It can also be used for spirituality.
Other color associations that you may want to consider are:
Silver for the Goddess
Gold for the God
White for the angels or your spirit guide.
Green for fairies.
Cut your material into two square sections. Place the two pieces together with the insides facing each other.
Slowly sew three of the sides of the pouch together. While you sew your charm bag, focus your thoughts on the purpose for the charm. Visualize your goal coming true for you and know that as you sew your energy is being put into your charm bag and being sent out into the Universe and to the Goddess.
Next you can decorate your charm bag in any way that you wish. You may wish to draw meaningful symbols on the bag. You can can write your purpose on the bag. Sewing beads, sequins, ribbons, or other decorations on the bag is a good idea. The more effort and time you put into decorating and working with your charm bag, the more of your personal energy you infuse into it. While you are doing this, imagine that the charm bag is working its magic for you.
Now add the ingredients that you want to have in your charm bag. You can use anything that you feel is symbolic of the goal you wish to reach. Dried herbs, crystals, photos, written words, flower petals, trinkets, a small magnet (for magnetism), you can even spray the inside or outside of the bag with a perfume or dab it with essential oil.
Sew the top of your charm bag closed. If you wish, you can sew a ribbon onto the bag to hang it with. You may also carry the charm bag in your pocketbook, bag, or in your pocket.
Select the color of fabric for your charm bag. The color you choose depends on the purpose for your bag.
Pink is used for love.
Red is used for passion or sex.
Black is used for banishing and revenge.
Blue is used for spirituality and healing.
Purple is used for protection and also for psychic power.
Gold is used for wealth and prosperity.
Green is used for financial matters.
White is used for purity and cleansing. It can also be used for spirituality.
Other color associations that you may want to consider are:
Silver for the Goddess
Gold for the God
White for the angels or your spirit guide.
Green for fairies.
Cut your material into two square sections. Place the two pieces together with the insides facing each other.
Slowly sew three of the sides of the pouch together. While you sew your charm bag, focus your thoughts on the purpose for the charm. Visualize your goal coming true for you and know that as you sew your energy is being put into your charm bag and being sent out into the Universe and to the Goddess.
Next you can decorate your charm bag in any way that you wish. You may wish to draw meaningful symbols on the bag. You can can write your purpose on the bag. Sewing beads, sequins, ribbons, or other decorations on the bag is a good idea. The more effort and time you put into decorating and working with your charm bag, the more of your personal energy you infuse into it. While you are doing this, imagine that the charm bag is working its magic for you.
Now add the ingredients that you want to have in your charm bag. You can use anything that you feel is symbolic of the goal you wish to reach. Dried herbs, crystals, photos, written words, flower petals, trinkets, a small magnet (for magnetism), you can even spray the inside or outside of the bag with a perfume or dab it with essential oil.
Sew the top of your charm bag closed. If you wish, you can sew a ribbon onto the bag to hang it with. You may also carry the charm bag in your pocketbook, bag, or in your pocket.
Halloween Charm Bag For Drawing Money
from "HALLOWEEN, spells, customs and recipes" by Silver Ravenwolf
You could make a bunch of these to use as Witchy Party favors at your Samhain party.... Write the instructions and ingredients to the charm but provide each guest with the orange bag. Okay here we go..... you will need (per charm):
7 pumpkin seeds
1/4 teaspoon dried, ground pumpkin rind
1/4 teaspoon dried mint
1/4 teaspoon of cinnamon
1 silver coin
1 small orange flannel bag with 17 in. red ribbon
black felt pen
On a new moon before Halloween, mix the herbal ingredients together
Hum:
"East and west, and south and north
Prosperity, I bring thee forth."
Draw a dollar sign on each side of the pumpkin seeds.. Add the pumpkin seeds to the mixture. Pour into the orange bag. Hold the coin in your hands until it gets warm. Humming the same chant all through this. On the following Thursday, hold the bag in your hands and repeat the chant until the bag becomes warm. Add 7 knots to the ribbon around the bag - two are for money, three for abundance, four for stability, five for protection, six for luck, and the seventh know to seal the spell. Put away until Samhain.
On Samhain, hold the bag in your hands over the need fire until the bag warms in your hands. Repeat the chant as you do this. Keep on your person or in your purse etc. Good for one full year. You can rework the spell on a new moon to keep the bag at its peak This makes a very nice gift for the certain someone.
You could make a bunch of these to use as Witchy Party favors at your Samhain party.... Write the instructions and ingredients to the charm but provide each guest with the orange bag. Okay here we go..... you will need (per charm):
7 pumpkin seeds
1/4 teaspoon dried, ground pumpkin rind
1/4 teaspoon dried mint
1/4 teaspoon of cinnamon
1 silver coin
1 small orange flannel bag with 17 in. red ribbon
black felt pen
On a new moon before Halloween, mix the herbal ingredients together
Hum:
"East and west, and south and north
Prosperity, I bring thee forth."
Draw a dollar sign on each side of the pumpkin seeds.. Add the pumpkin seeds to the mixture. Pour into the orange bag. Hold the coin in your hands until it gets warm. Humming the same chant all through this. On the following Thursday, hold the bag in your hands and repeat the chant until the bag becomes warm. Add 7 knots to the ribbon around the bag - two are for money, three for abundance, four for stability, five for protection, six for luck, and the seventh know to seal the spell. Put away until Samhain.
On Samhain, hold the bag in your hands over the need fire until the bag warms in your hands. Repeat the chant as you do this. Keep on your person or in your purse etc. Good for one full year. You can rework the spell on a new moon to keep the bag at its peak This makes a very nice gift for the certain someone.
Tuesday, February 1, 2011
Samhain Bonfire
Traditionally, Samhain was time to take stock of the herds and grain supplies. The village would decide which animals were to be slaughtered in order for the people and the remaining livestock to survive the winter. The word bonfire is a contraction of "bone fire" and is a direct translation of the Gaelic tine cnámh.
By casting the bones of the slaughtered cattle upon the flames was a sacrifice for the Celts, as cattle were considered a form of currency. This form of sacrifice was one of the highest offering to the Gods. Often two separate bonfires would be built side by side, so the cattle and other livestock would be driven between the fires for protection and purification.
In medieval Ireland, Samhain was celebrated as a major festival with a great gathering at the royal court in Tara, lasting for three days. After a fire was ritually started by druids on the Hill of Tlachtga, a bonfire was set alight on the Hill of Tara, which was a signal to people gathered atop hills all across Ireland to light their ritual bonfires.
I encourage you to make a bonfire (even if it is in your tiny cauldron) and accompanying offerings. Suggested sacrifices are paper money, a poem of piece of art you have created and baked goods. If your ancestors are fond of particular foods or items, that would be appropriate as well. In our coven, we make a singular bonfire and leap over it to wild traditional music (pipes, bodhran, fiddle, whistle etc)
By casting the bones of the slaughtered cattle upon the flames was a sacrifice for the Celts, as cattle were considered a form of currency. This form of sacrifice was one of the highest offering to the Gods. Often two separate bonfires would be built side by side, so the cattle and other livestock would be driven between the fires for protection and purification.
In medieval Ireland, Samhain was celebrated as a major festival with a great gathering at the royal court in Tara, lasting for three days. After a fire was ritually started by druids on the Hill of Tlachtga, a bonfire was set alight on the Hill of Tara, which was a signal to people gathered atop hills all across Ireland to light their ritual bonfires.
I encourage you to make a bonfire (even if it is in your tiny cauldron) and accompanying offerings. Suggested sacrifices are paper money, a poem of piece of art you have created and baked goods. If your ancestors are fond of particular foods or items, that would be appropriate as well. In our coven, we make a singular bonfire and leap over it to wild traditional music (pipes, bodhran, fiddle, whistle etc)
A Charm of Making Anon
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A purification of objects for ritual use and their transformation into magical items.
The area is prepared by placing a quantity of each element in the proper quarter, as well as preparing the altar in the usual way. If available, a cauldron (empty) is placed in the center of the circle. Candles are placed at each of the four corners and lit, progressing deosil from the east. Salt and water are blessed, and the celebrants are purified with them. A magic circle is cast, and watchtowers summoned. The god is then drawn down as follows:
[The priest stands before the alter in the Osiris position, arms crossed across chest and feet together. The Priestess kneels before him with face and arms upraised.]
PS:
Hephaestus, forger of magic,
descend upon this the body of thy priest and servant,
lend us the strength of your arms.
Prometheus, shaper of man,
descend upon this the body of thy priest and servant,
lend us your fire and foresight
Morpheus, weaver of dreams,
descend upon this the body of thy priest and servant,
lend us your subtlety and vision
P:
I am he, the shaper-god,
forger, builder, artisan, smith.
With strength and craft I form the world.
[The Priest helps the Priestess to rise, and she stands in the center of the circle in the god position, extending her arms outward and down, palms facing forward. The Priest kneels before her with head bowed.]
Clotho, spinner of the strand of life
Descend upon this the body of thy priestess and servant.
Lend us your wheel of making.
Hecate, caster of spells,
Descend upon this the body of thy priestess and servant.
Lend us the power of your magic.
Aphrodite, goddess of love,
Descend upon this the body of thy priestess and servant.
Grant us eros, philos, aristos, agape.
PS:
I am she, the weaver-goddess,
Painter, poet, sculptor, witch.
With art and love I form the world.
[The priestess extends her hands to the priest, and helps him rise. The priest cups both hands and scoops from the cauldron, then offers to the priestess.]
P:
Drink now from the cauldron of Cerridwen, whose draughts bring knowledge, peace, and life.
[The priestess sips from the cupped hands, after which the priest drinks. The objects to be blessed are taken from the altar by the priest and moved widdershins to the west quarter, and immersed in the water there.]
P:
Spirits of the west, in water born
In cool waters cleanse these tools
And wash from them all hurt and harm
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The objects are moved by the priestess to the south quarter and moved above the flames there.]
PS:
Spirits of the south, in fire born
In shining flames purify these tools
And burn from them all impurities
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The objects are moved to the east quarter by the priest and moved through the incense smoke.]
P:
Spirits of the east, in sweet air born
In swirling winds polish these tools
And sweep from them all phantasm and illusion
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The objects are moved to the altar by the priestess, and placed upon the pentacle.]
PS:
Spirits of the north, in cool earth born
In mother earth ground these tools
And take from them all spirits dark
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The person consecrating the tools now offers an impromptu or prepared charge to the items, stating their purpose and mode of use. They are then taken up by the priestess and moved to the east quarter.]
PS:
Spirits of the east, from the bright air come,
Fill these tools with the swirling energies of the whirlwind
Make them float like the breeze
Spirits of air, hearken unto me,
As I do will, so more it be.
[The tools are now taken up by the priest and moved to the south quarter.]
P:
Spirits of the south, from wild fire come,
Fill these tools with the burning energies of the flames
Make them glow with bright fire
Spirits of fire, hearken unto me,
As I do will, so mote it be.
[The tools are now taken up by the priestess and moved to the west quarter.]
P:
Spirits of the west, from soothing water come,
Fill these tools with the calming energies of the warm rain
Make them flow like the tide
Spirits of water, hearken unto me,
As I do will, so mote it be.
[The tools are now taken up by the priestess and moved to the altar.]
PS:
Spirits of the north, from firm earth come,
Fill these tools with the ordering energies of the growing crops
Make them flourish like grapes on the vine
Spirits of earth, hearken unto me,
As I do will, so mote it be.
[The priest takes the tools from the altar and steps backwards. The priestess stands at the altar facing south towards the priest. The priest extends his right arm in parallel to the ground, between he and the priestess, with the tools in his hand.]
P:
I am the god, ever desiring. I am the stag in the woods,
I am the sun in the noonday sky, I am the lover in the dark.
I offer passion, strength, devotion, and the swiftness of the hunt.
[The priestess extends her right arm in like fashion, and places her hand over that of the priest.]
PS:
I am the goddess, ever nurturing.
I am the tempting beauty of the maid,
I am the quiet strength of the mother,
I am the infinite wisdom of the crone.
I offer life, love, warmth, and the fruitfulness of the fields.
[Both step towards each other, and turn their hands and arms so the fingers point upwards, and the palms facing their own chest, cupping the other's palm between and holding the tools. They clasp each other with their left arms.]
P&PS:
Male and female, yin and yang, light and dark, action and stillness.
Apart we are forever incomplete, but together we form one.
In our joining we are blessed. In our union, the limitless energy
of universe is released and captured here.
P:
As I do will
PS:
As I do will
P&PS:
As we do will, so mote it be.
[The priest and priestess kiss, then release grasps. If the number and size of the tools precludes them being held in one hand simultaneously, the latter charging section should be repeated for each. The tools are replaced on the altar.Cakes and wine are blessed and consumed, and a period of relaxtion and rest follows. The watchtowers are then dismissed, and the circle opened.]
A purification of objects for ritual use and their transformation into magical items.
The area is prepared by placing a quantity of each element in the proper quarter, as well as preparing the altar in the usual way. If available, a cauldron (empty) is placed in the center of the circle. Candles are placed at each of the four corners and lit, progressing deosil from the east. Salt and water are blessed, and the celebrants are purified with them. A magic circle is cast, and watchtowers summoned. The god is then drawn down as follows:
[The priest stands before the alter in the Osiris position, arms crossed across chest and feet together. The Priestess kneels before him with face and arms upraised.]
PS:
Hephaestus, forger of magic,
descend upon this the body of thy priest and servant,
lend us the strength of your arms.
Prometheus, shaper of man,
descend upon this the body of thy priest and servant,
lend us your fire and foresight
Morpheus, weaver of dreams,
descend upon this the body of thy priest and servant,
lend us your subtlety and vision
P:
I am he, the shaper-god,
forger, builder, artisan, smith.
With strength and craft I form the world.
[The Priest helps the Priestess to rise, and she stands in the center of the circle in the god position, extending her arms outward and down, palms facing forward. The Priest kneels before her with head bowed.]
Clotho, spinner of the strand of life
Descend upon this the body of thy priestess and servant.
Lend us your wheel of making.
Hecate, caster of spells,
Descend upon this the body of thy priestess and servant.
Lend us the power of your magic.
Aphrodite, goddess of love,
Descend upon this the body of thy priestess and servant.
Grant us eros, philos, aristos, agape.
PS:
I am she, the weaver-goddess,
Painter, poet, sculptor, witch.
With art and love I form the world.
[The priestess extends her hands to the priest, and helps him rise. The priest cups both hands and scoops from the cauldron, then offers to the priestess.]
P:
Drink now from the cauldron of Cerridwen, whose draughts bring knowledge, peace, and life.
[The priestess sips from the cupped hands, after which the priest drinks. The objects to be blessed are taken from the altar by the priest and moved widdershins to the west quarter, and immersed in the water there.]
P:
Spirits of the west, in water born
In cool waters cleanse these tools
And wash from them all hurt and harm
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The objects are moved by the priestess to the south quarter and moved above the flames there.]
PS:
Spirits of the south, in fire born
In shining flames purify these tools
And burn from them all impurities
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The objects are moved to the east quarter by the priest and moved through the incense smoke.]
P:
Spirits of the east, in sweet air born
In swirling winds polish these tools
And sweep from them all phantasm and illusion
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The objects are moved to the altar by the priestess, and placed upon the pentacle.]
PS:
Spirits of the north, in cool earth born
In mother earth ground these tools
And take from them all spirits dark
This I ask, this charge I lay,
By oak and ash and bitter thorn.
[The person consecrating the tools now offers an impromptu or prepared charge to the items, stating their purpose and mode of use. They are then taken up by the priestess and moved to the east quarter.]
PS:
Spirits of the east, from the bright air come,
Fill these tools with the swirling energies of the whirlwind
Make them float like the breeze
Spirits of air, hearken unto me,
As I do will, so more it be.
[The tools are now taken up by the priest and moved to the south quarter.]
P:
Spirits of the south, from wild fire come,
Fill these tools with the burning energies of the flames
Make them glow with bright fire
Spirits of fire, hearken unto me,
As I do will, so mote it be.
[The tools are now taken up by the priestess and moved to the west quarter.]
P:
Spirits of the west, from soothing water come,
Fill these tools with the calming energies of the warm rain
Make them flow like the tide
Spirits of water, hearken unto me,
As I do will, so mote it be.
[The tools are now taken up by the priestess and moved to the altar.]
PS:
Spirits of the north, from firm earth come,
Fill these tools with the ordering energies of the growing crops
Make them flourish like grapes on the vine
Spirits of earth, hearken unto me,
As I do will, so mote it be.
[The priest takes the tools from the altar and steps backwards. The priestess stands at the altar facing south towards the priest. The priest extends his right arm in parallel to the ground, between he and the priestess, with the tools in his hand.]
P:
I am the god, ever desiring. I am the stag in the woods,
I am the sun in the noonday sky, I am the lover in the dark.
I offer passion, strength, devotion, and the swiftness of the hunt.
[The priestess extends her right arm in like fashion, and places her hand over that of the priest.]
PS:
I am the goddess, ever nurturing.
I am the tempting beauty of the maid,
I am the quiet strength of the mother,
I am the infinite wisdom of the crone.
I offer life, love, warmth, and the fruitfulness of the fields.
[Both step towards each other, and turn their hands and arms so the fingers point upwards, and the palms facing their own chest, cupping the other's palm between and holding the tools. They clasp each other with their left arms.]
P&PS:
Male and female, yin and yang, light and dark, action and stillness.
Apart we are forever incomplete, but together we form one.
In our joining we are blessed. In our union, the limitless energy
of universe is released and captured here.
P:
As I do will
PS:
As I do will
P&PS:
As we do will, so mote it be.
[The priest and priestess kiss, then release grasps. If the number and size of the tools precludes them being held in one hand simultaneously, the latter charging section should be repeated for each. The tools are replaced on the altar.Cakes and wine are blessed and consumed, and a period of relaxtion and rest follows. The watchtowers are then dismissed, and the circle opened.]
Yule Trees, Colors, Activities, and Etc
Trees for Yule:
•Oak : Endurance, Strength, Triumph, Protection.
•Yew : Last Day of Solar Year; Death
•Silver Fir: Winter Solstice Day; Birth.
•Birch: Month following Winter Solstice; Beginnings.
Colors of Yule
•Red,
•Green,
•Gold,
•White,
•Silver,
•Yellow,
•Orange
Stones of Yule
•Rubies,
•Bloodstones,
•Garnets,
•Emeralds,
•Diamonds
Yule Deities
•Goddesses-Brighid, Isis, Demeter, Gaea, Diana, The Great Mother.
•Gods-Apollo, Ra, Odin, Lugh, The Oak King, The Horned One, The Green Man, The Divine Child, Mabon.
•Frey - God, brother-consort of Freyja; son of Njord. "The Lord", fertility and creativity God; "the Lover"; God of Yule. He is the god of wealth and peace and contentment. Blood was not allowed to be spilled through violence, nor where weapons or outlaws allowed on or in his holy places. Sensual love, fertility, growth, abundance, wealth, bravery, horses, boars, protector of ships and sailors, peace, joy happiness, rain, beauty, weather, guarantor of oaths, groves, sunshine, plant growth, sex.
Yule Spell Work
Spell craft performed for Yule should be for peace, harmony, love, and increased happiness.
Pagan Yule Activities
Caroling, wassailing , burning the Yule log, decorating the Yule tree, exchanging of presents, kissing under the mistletoe, feeding of animals, birds with grains and seeds,become a part of nature
Foods of Yule:
Cookies and caraway cakes soaked in cider, fruits, nuts, pork dishes, turkey, eggnog, ginger tea, spiced cider, wassail, or lamb's wool (ale, sugar, nutmeg, roasted apples).
A Pagan Christmas Tree
The Christian tradition of a Christmas tree has its origins in the Pagan Yule celebration. Pagan families would bring a live tree into the home so the wood spirits would have a place to keep warm during the cold winter months. Bells were hung in the limbs so you could tell when a spirit was present.
Food and treats were hung on the branches for the spirits to eat and a five-pointed star, symbol of the five elements, was placed atop the tree.
Sunday, October 3, 2010
Noncombustible Incense
Be sure you have all necessary ingredients. If you lack any, decide on substitutions. Each ingredient must be finely ground, preferably to a powder, using either a mortar and pestle or an electric grinder. Some resins won't powder easily, but with practice you'll find the right touch. When all is ready, fix your mind on the incense's goal. In a large wooden or ceramic bowl, mix the resins and gums together with your hands. While mingling these fragrant substances, also mix their energies. Visualize your personal power--vibrating with your Magickal goal--exiting your hands and entering the incense.
Next, mix in all the powdered leaves, barks, flowers and roots. As you mix, continue to visualize or concentrate on the incense's goal. Now add any oils or liquids that are included in the recipe. Just a few drops are usually sufficient. Once all has been thoroughly mixed, add any powdered stones or other power boosters. The incense is now fully compounded. Empower the incense and it is done. Store in a tightly capped jar. Label carefully, including the name of the incense and date of composition. It is ready for use when needed.
Combustible Incense-Combustible incense (in the form of cones, blocks, and sticks) is fairly complex in its composition, but many feel the results are worth the extra work. Gum tragacanth glue or mucilage is the basic ingredient of all molded incenses. Gum tragacanth is available at some herb stores. It is rather expensive, but a little will last for months. To make tragacanth glue, place a teaspoon of the ground herb in a glass of warm water. Mix thoroughly until all particles are dispersed. To facilitate this, place in a bowl and whisk or beat with an egg beater. This will cause foam to rise, but it can be easily skimmed off or allowed to disperse. The gum tragacanth has enormous absorption qualities; an ounce will absorb up to one gallon of water in a week.
Let the tragacanth absorb the water until it becomes a thick, bitter-smelling paste. The consistency of the mixture depends on the form of incense desired. For sticks (the most difficult kind to make), the mixture should be relatively thin. For blocks and cones a thicker mucilage should be made. This where practice comes in handy; after a session or two you will automatically know when the mucilage is at the correct consistency.
If you can't find tragacanth, try using gum arabic in its place. This, too, absorbs water. When you have made the trag glue, cover with a wet cloth and set aside. It will continue to thicken as it sits, so if it becomes too thick add a bit of water and stir thoroughly. Next, make up the incense base:
Cone Incense Base 6 parts ground Charcoal (not self-igniting), 1 part ground Benzoin, 2 parts ground Sandalwood, 1 part ground Orris root (this "fixes" the scent), 6 drops essential oil (use the oil form of one of the ingredients in the incense), 2 to 4 parts mixed, empowered incense.
Mix the first four ingredients until all are well blended. Add the drops of essential oil and mix again with you hands. The goal is to create a powdered mixture with a fine texture. If you wish, run the mixture through a grinder or mortar again until it is satisfactory. Add 2 to 4 parts of the completed and empowered incense mixture. Combine this well with your hands.
Then using a small kitchen scale, weigh the completed incense and add ten percent potassium nitrate. If you've made ten ounces of incense, add one ounce potassium nitrate. Mix this until the white powder is thoroughly blended. Next, add the trag glue. Do this a teaspoon at a time, mixing with your hands in a large bowl until all ingredients are wetted. For cone incense you'll need a very stiff, dough-like texture. If it is too thick it won't properly form into cones and will take forever to dry. The mixture should mold easily and hold its shape.
On a piece of waxed paper, shape the mixture into basic cone shapes, exactly like the ones you've probably bought. If this form isn't used, the incense might not burn properly. When you've made up your cone incense, let it dry for two to seven days in a warm place. Your incense is finished.
Next, mix in all the powdered leaves, barks, flowers and roots. As you mix, continue to visualize or concentrate on the incense's goal. Now add any oils or liquids that are included in the recipe. Just a few drops are usually sufficient. Once all has been thoroughly mixed, add any powdered stones or other power boosters. The incense is now fully compounded. Empower the incense and it is done. Store in a tightly capped jar. Label carefully, including the name of the incense and date of composition. It is ready for use when needed.
Combustible Incense-Combustible incense (in the form of cones, blocks, and sticks) is fairly complex in its composition, but many feel the results are worth the extra work. Gum tragacanth glue or mucilage is the basic ingredient of all molded incenses. Gum tragacanth is available at some herb stores. It is rather expensive, but a little will last for months. To make tragacanth glue, place a teaspoon of the ground herb in a glass of warm water. Mix thoroughly until all particles are dispersed. To facilitate this, place in a bowl and whisk or beat with an egg beater. This will cause foam to rise, but it can be easily skimmed off or allowed to disperse. The gum tragacanth has enormous absorption qualities; an ounce will absorb up to one gallon of water in a week.
Let the tragacanth absorb the water until it becomes a thick, bitter-smelling paste. The consistency of the mixture depends on the form of incense desired. For sticks (the most difficult kind to make), the mixture should be relatively thin. For blocks and cones a thicker mucilage should be made. This where practice comes in handy; after a session or two you will automatically know when the mucilage is at the correct consistency.
If you can't find tragacanth, try using gum arabic in its place. This, too, absorbs water. When you have made the trag glue, cover with a wet cloth and set aside. It will continue to thicken as it sits, so if it becomes too thick add a bit of water and stir thoroughly. Next, make up the incense base:
Cone Incense Base 6 parts ground Charcoal (not self-igniting), 1 part ground Benzoin, 2 parts ground Sandalwood, 1 part ground Orris root (this "fixes" the scent), 6 drops essential oil (use the oil form of one of the ingredients in the incense), 2 to 4 parts mixed, empowered incense.
Mix the first four ingredients until all are well blended. Add the drops of essential oil and mix again with you hands. The goal is to create a powdered mixture with a fine texture. If you wish, run the mixture through a grinder or mortar again until it is satisfactory. Add 2 to 4 parts of the completed and empowered incense mixture. Combine this well with your hands.
Then using a small kitchen scale, weigh the completed incense and add ten percent potassium nitrate. If you've made ten ounces of incense, add one ounce potassium nitrate. Mix this until the white powder is thoroughly blended. Next, add the trag glue. Do this a teaspoon at a time, mixing with your hands in a large bowl until all ingredients are wetted. For cone incense you'll need a very stiff, dough-like texture. If it is too thick it won't properly form into cones and will take forever to dry. The mixture should mold easily and hold its shape.
On a piece of waxed paper, shape the mixture into basic cone shapes, exactly like the ones you've probably bought. If this form isn't used, the incense might not burn properly. When you've made up your cone incense, let it dry for two to seven days in a warm place. Your incense is finished.
Stick Incense
Add more trag glue to the mixed incense and base until the mixture is wet but still rather thick. The trick here is in determining the proper thickness of the incense/trag mixture and in finding appropriate materials to use. Try homemade wooden or bamboo splints, broom straws, very thin twigs, or those long wooden cocktail skewers. Dip the sticks into the mixture, let them sit upright and then dip again. Several dippings are usually necessary; this is a most difficult process.
When the sticks have accumulated a sufficient amount of the incense, poke them into a slab of clay or some other substance so that they stand upright. Allow them to dry. One variation on stick incense making uses a stiffer incense dough. Pat down the dough on waxed paper until it is very thin. Place the stick on the dough. Roll a thin coating of dough around the stick. The incense shouldn't be more than twice the thickness of the stick. Squeeze or press it onto the stick so that it will stay put, and let dry.
When the sticks have accumulated a sufficient amount of the incense, poke them into a slab of clay or some other substance so that they stand upright. Allow them to dry. One variation on stick incense making uses a stiffer incense dough. Pat down the dough on waxed paper until it is very thin. Place the stick on the dough. Roll a thin coating of dough around the stick. The incense shouldn't be more than twice the thickness of the stick. Squeeze or press it onto the stick so that it will stay put, and let dry.
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